Troubled sociopath.

In 2004 I decided to write a novel. As a devoted reader of difficult books, I had massive ambitions.  I wanted to write something personal, experimental, universal, tragic, poetic, epic, complex, controversial, and affirming.

I felt capable. I took tons of notes. I began writing with great zeal.

My novel concerns itself with Tremont, a young man recovering from a mental collapse caused by the dual traumas of grad school and his mother’s rectal cancer.

He drinks whisky from the bottle. He chain-smokes ’til dawn. He reads dense social science anthologies like Rethinking Context: Language as an Interactive Phenomenon (Studies in the Social and Cultural Foundations of Language).

He’s not an asshole per se. Like he’d never purposely hurt someone. He may have broken a few hearts, but that’s just ’cause he’s young and hot and broke and maybe an alcoholic and also an aspiring writer and potentially bi-sexual.

And although he’s never pinned a woman down against her will, he considers himself an average guy. No one really knows him, though. People describe him as brooding, mysterious, charming, aloof, and wry. But he’s very very alone.

Probably because he’s tragically flawed.

I got 23 pages into writing before I started hating myself. I was regurgitating a cliché.

Of all the many many types of humans who could have inhabited My Great Novel, why had I chosen that tired-ass trope? Why was I burning brain cells out over a troubled sociopath? And why did I date him more than once? Whose wet dream was this?

Um, everyone’s, for about a decade. I came of age in the 90’s, the era of the Brilliant Damaged Bro and the Sad Chick Who Hates Herself For Loving Him. Which does NOT hold up, friends.

Luckily I figured this out before chapter three. I shut my novel down and turned the parts I didn’t hate into a play… this play!  Which is currently running in Seattle at Washington Ensemble Theatre through October 8th, if you’re in the nabe.

My hero is now a programmer chick named Jess who goes on a road trip with her dead father so she can reckon with her past and cope with her future. She’s tragically flawed (fist pump) and drinks too much, but that’s about where the similarities to my former hero end.

It’s big and messy and visual and has a killer cast and a brilliant design team and a smart-as-hell director. But if you like your plays straightforward with cleanly drawn lines and one clear sonorous wail of a message, definitely stay home and watch Reality Bites again. Please.

Jess has a monologue in a dive bar where she discusses the kind of dude she wants to take home that night, if you’d like a taste:

THIS CHICK WALKS INTO A BAR...

JESS
I’m waiting for someone I haven’t met yet.
We don’t have an appointment.
He may not even exist.
But here are his stats:
One.
He is skinny
The kind of skinny that makes people nervous
It’s partially genetic
But mostly he just smokes a lot
And forgets to eat
I’m so jealous of that.
Two.
He wears gorgeous clothes.
Clothes I’ve only seen in photos.
The kind I could never bring myself to buy.
He spends every penny he makes on them
He’d rather be poor than have an unfit garment touch his skin
But he isn’t superficial
He just loves himself
Some people do.
Three.
He looks like my father. Who died when I was two so I can’t call upon his face with any precision but that’s probably okay ’cause now I can make my small inventions around the parts I do know such as his body type, his complexion, his hairline.
Four.
He’ll have no qualms about allowing a tipsy degenerate to take him home.
Five.
We’re gonna have some crazy epic drunk sex. Slamming against walls and tearing up bedsheets, et cetera. Someone will probably get a black eye. It’ll go on for like, ever.And eventually his particles will become mine and we’ll shrink down all microscopic. We’ll travel into the corpuscles of strangers, in and out of cells and cilia, through mucous membranes, beneath fingernails, then out into the earth, through the roots of a grass blade, through the hard shells of Amazonian insects, onto the tongues of termites, and oh then we’ll get fucking HUGE! We’ll billow upwards into the galaxy and cloak the constellations, wrap ’em up like wedding gifts. And then we’ll collapse in the pull of our own gravity and reconstitute as a white, heatless star, and wash the universe in our ghostly glow.
Yeah, man.That’s how rockin’ our sex will be. home.
Six.
This is more me than him but he’ll fall asleep right after and I’ll just stroke him and talk to his sleeping body like people do on TV.
I’ll tell him this:”I am stroking the space between your ear and your shoulder
I am stroking the space between your hip and your thigh
I am stroking the space between your spine and your navel
I am consumed with your spaces between”
And from these I’ll build out my father. Shape him from dust and aromas and smoke and breath and everything else in the invisible world.
And later on I’ll wonder if I raised my father from the dead just so I could fuck him.Which is pretty dark, right?
But
First he’s gotta walk through that door.
(VICTOR walks through the door, looking much as described.)

No more doling.

Hi. Hi again.

So this is aaaalllll an experiment, right? Which means I’m still learning shit.

Like today! Here are two things I just learned:

1) People don’t like email excerpts.

2) People like their stories intact.

So. If you were waiting for the next and final installments of that smoking story, I posted them all at once. Just click that link and scroll down to where you left off.

And if you get these via email, I’m gonna start sending entire posts instead of just excerpts. You don’t have to click anywhere. No more of me doling out the goods. You get ’em all! The posts will be longer, some of them, but there will be fewer. One a week. Maybe less.

‘Cause like, I’m not trying to “drive traffic” to my website or whatever. I don’t need “hits.” This isn’t a marketing tool. I broke up my stories as way to post consistently without getting overwhelmed, but the larger experiment of this website is for me to try to stay sane and writing regularly while I don’t have a job.

I’m paused, as they say. This is a caesura.

I’ve never really had a pause before. When I’m on hiatus for TV I’m generally trying to catch up on theatre stuff.  But no matter how well I appear to be balancing everything, I write many more TV scripts than plays. Which wouldn’t be a problem if I’d figured out how to do it without destroying myself.

I don’t know if it ever comes across on the screen, but I give a lot to my TV scripts. More than I’ve ever been asked to give. More than I keep for myself.  I give as much as I’ve ever given to my playwriting. And it isn’t healthy for me. Not from a psychological standpoint.  Not for the amount of TV scripts I need to crank out.  Not if I wanna keep my actual feet on the actual earth.

‘Cause like, there have been times I’d turn in a first draft after pulling an all-nighter, and when the other writers told me it was good I’d burst into sobs.  Like a big goddamn baby. In front of my boss, the PA, everyone.

This was recent, friends. Like not even a year ago. On a show I’d been on for SIX SEASONS.

I know it’s exhaustion and anxiety and hormones and low blood sugar and extreme neurosis and whatever… which also is bad for my health and scares my family…  and on more than one occasion my kid has woken up at 5am, seen the light on in the living room, marched over to the couch where I write, and demanded I close my computer and go to bed.

But also, I put so much of myself into a script that when my colleagues tell me it’s good, they’re validating a fuck-ton more than just my writing.

You see how that can be problematic.

I suppose at its most injurious, the act of giving that much to something that isn’t (and never will be) mine is a form of self-annihilation. I recognize the feeling. I have it often. Of wanting to pack up parts of my psyche into little parcels and mail them off into the world one by one until there’s nothing left of me. I feel a haunting peacefulness at the thought of being emptied like that.  I no longer have to judge my good impulses from my bad ones, or the helpful thoughts from the damaging. All of it is for other people to sort through now, all wrapped in smooth butcher paper and tied with jute twine ’cause I’m a crafty bitch.

Though the scariest thing for me, kinda, is the fact that I feel most connected to my writing when I am least connected to my body. Like I’ll start working at say 7pm, and the next time I look at the clock it’s 6am, and my low back is on fire and I’m shaking from hunger and my jaw hurts from clenching my teeth. But somewhere in that pocket of time, if I’m lucky, I’ve grasped at a kind of vibrating vulnerability and truthfulness that begins to sound like the moan of humanity… like, the thing that hums beneath it all… 

But I can’t always hear it. And I don’t know how to listen for it in a “normal” way. Which blows.

So while this isn’t an actual honest-to-gosh writing break because here I am writing to you, it’s an experiment to see if I am capable of…

Routine?

Grounding?

Writing-while-normal?

Self-preservation? (Yikes.)

All of the above?

(Sure.)

Ok then. Wish me luck.

Smoke.

Back when I had a blog I took it very seriously. I found it immensely satisfying to write an entire thing and publish it instantly.

Theater and TV are not like that. In theatre you labor over a thing for months, maybe years, and sometimes no one sees it. In TV the thing continues forever into the future (or at least that’s the desired effect), even after it’s been cancelled. In both cases you get haunted; either by what never was, or by what wasn’t enough.

But blog stories are gumdrops. Chomp, swallow, sigh. Gone. And another pops up right when you crave it.

That’s how I felt at the time, anyway. I forgot to write plays for a bit. I wanted gumdrops. Sourballs. M&Ms. Anything that dissolved too fast to get sticky.

This particular blog story is a kit-kat. You can break off pieces and eat ’em one at a time.


DOLING THIS OUT IN PARTS WAS A SHITTY IDEA. HERE’S THE ENTIRE VERSION.

(Originally published on February 5th, 2005 at 11pm.)

When I was eleven years old, my parents decided to take us on the only family vacation we would ever have, to Downingtown PA. They got two rooms at a motel for a week, one for the three kids and one for just them. I have no real memory of why they decided this would be a swell place to take the family. I remember them asking us to run off and amuse ourselves in the attached recreation center, or in the lobby, or with our new Colorform set, while they stayed in their room. I remember we never left the motel the entire week. It was raining.

I remember being profoundly bored. I would go to the rec center and see how many weird ways I could run on the treadmill. The Commodore’s “Night Shift” was playing on repeat the entire time, and no one was ever there. I would go there by myself most times, leaving my brother and sister behind in the room to watch TV.

On my third day there, I was surprised to find a girl standing by the Pepsi machine outside the rec center, drinking from a can.  She was skinny, face full of tan freckles, reddish-brown hair that came down to her shoulders, and a green terry tank top.  She looked me up and down. “My parents stopped here for the night because of the rain,” she said.  She asked how old I was.  “Eleven.” She told me she was fourteen.  She asked if there was anything fun to do around there. I told her about the rec center. She wasn’t impressed.

“Do you smoke?”  she asked.

I was many years from smoking, constantly living in the shadow of my parent’s disapproval.  But I was desperate for her favor. So I told her yes indeed, I smoked. At eleven years old.

“Can you get us some?” she asked.

My parents were furiously dedicated smokers, buying cartons of Vantage 100’s and lighting up first thing in the morning before their bowls of Special K. I ran up to their room and knocked on their door, waited a moment, then walked in. They were each lying side by side beneath their covers, looking sheepish.  I said I needed toothpaste, walked into their bathroom, retrieved two cigarettes from the pack they kept in their toiletry bag, and exited.

My new friend seemed pleased.  “Marlboros?” she asked.  I nodded, wondering if she could actually tell the difference. She pulled out a disposable lighter. The color matched her shirt.

It was her idea to sneak into the maintenance closet, since there were “no smoking” signs in the lobby and she didn’t want to stand outside in the rain.  The closet door wasn’t locked. We slipped inside.   I remember metal shelves, a bucket, a mop, an industrial vacuum, and no place to sit.

We lit our cigarettes.

She laughed at me as she watched me inhale.  I knew I wasn’t doing it right, but I couldn’t bring myself to imitate my parents. They held their cigarettes high up in their knuckles and gestured casually with their hands, never ashing accidentally. They sucked slowly and deeply. They talked with it in their lungs, breathing it out slowly as though they were underlining their words in thin gray sheets.

I balanced my cigarette low at my finger tips, and when I raised it to my lips I took shallow puffs and held the smoke in my cheeks for only a few seconds. Like a douchebag. She, however, smoked like a real smoker, with pleasure, releasing silvery streams from her nostrils.  This would have turned my stomach if my parents had done it, but from her it was the picture of sophistication.

We must have been talking, but I can’t recall any topics.  I do remember shit-talking my family, my friends, my school, hoping this was how one established coolness with an older girl. At any rate, she didn’t leave. She listened. She smoked.

We finished our cigarettes, me stubbing mine out half-way through, she smoking hers right down to the cotton.  She dropped it on the floor of the closet and pressed the tip of her plastic sandal down on it.  Then she flicked the lights out and I felt a hand on my breast, or what was struggling to become a breast.

I was so shocked I couldn’t do anything, not move, not breathe.  I remember feeling embarrassed that I had not yet begun wearing a bra.

She kissed me, and I tasted the ashtray of her mouth along with some candy-like residue, possibly the sugar from her Pepsi. Then she flicked the lights back on. She was laughing.  I thought I must have looked terrified, and was certain I had kissed her wrong and blown my coolness cover.

Then she said, “Thanks for the smoke.”  And she left.

I didn’t follow her.  I stood in the closet by myself for maybe ten minutes. Then I picked up her cigarette butt and exited, throwing the butts out in the garbage outside.  I walked to the rec center and sat on a broken treadmill and listened to The Commodores over and over and over, my chest burning, my mouth tasting like cinders.

She must have told me her name, but it is lost.  All the smaller details I’ve retained unmarred for twenty years like a bug in amber, but this one item is completely wiped out.  Perhaps on my deathbed a synapse will misfire and I’ll wheeze out her name.  If you happen to be there, please write it down for me so you can tell me about it in the afterlife.